|
|
|
||||
|
|
|
||||
| Click thumbnail image for more info or to purchase. Click here to see all firebowl sizes + designs. | |||||
|
Bottle Cap Fish Mosaics at Vale Craft Gallery Bottle Caps, plywood, printed tin, copper or bronze, rakes, dustpans, nail, etc. 126" H x 90" W Available bottlecap fish mosaics are listed for sale HERE |
|
Bottle caps have long had a place in the folk art tradition as a decorative element. Usually, they are deployed more as a texture, willy nilly without sorting for color. My own bottle cap mosaics were initially inspired by Haitian ritual flags, in which detailed images are realized entirely through the use of sequins. The first bottle cap pieces I did combined bottle caps with vitreous glass tile. Each cap is sorted by brand or color, washed, dried, punched, partially crimped and finally nailed in overlapping scales to create a feeling of depth, light and shadow. Decorative nail heads emulate the texture of seed beads often used to reinforce the sequins on flags. Even the smaller fish require hundreds of caps to complete. The most amazing thing about these fish is the way they interact with light. When you look at one or two caps from any brand, they're generally not all that impressive. But when you group hundreds of them together and let them catch the sunlight, they truly glow. The combination of the background color with the logo can create color tones that are vibrant and lively and wholly unexpected. What I like most about making the Bottle Cap fish mosaics is that the overlapping texture of the caps does such a good job of representing scales.These fish have been one of my big sellers… They typically sell out almost as soon as they appear. I can do custom fish in this style, by brand, color, shape, or whatever floats your boat. If you'd like to commission a fish just drop me an email from the contact page and let me know what you're thinking. |
|
La Siren, 2000 Vitreous glass, bottle caps, stone, copper, glass eyes, Hardibacker substrate 60" H x 36" W x 1.5" D Private Collection |
||||||||||
|
Christy MacLear commissioned this piece for her gallery, Fleur Fine Art, because people kept asking her to sell the mermaid from her private collection and she couldn't bring herself to part with it. She gave me "total artistic freedom" to create any bottle cap mermaid I wanted to and I took that ball and ran with it. You gotta love the bottle cap dreads! Unfortunately, these are the best photos I have at present. I chose the detail image as the primary photo because the full photo is at a weird angle. I was inspired to do bottle cap mosaics by Haitian ritual flags, in which detailed images are realized entirely through the use of sequins. Each cap is sorted by brand or color, washed, dried, punched, partially crimped and finally nailed in overlapping scales to create a feeling of depth, light and shadow. Decorative nail heads emulate the texture of seed beads often used to reinforce the sequins. My bottle cap mosaics revisit the playful, funky spirit of my early found object collages. Combining the caps with Italian glass mosaic carries elements of folk art and recycling into a modern fine art context. I also did a cut metal collage this year working from the same mermaid image used for this piece. Take a look at it here. click thumbnail to view larger image.
|
||||||||||
![]() |
||||||||||
Tags: art, mosaic, folkart, sculpture, bottlecap, loteria, mermaid, self taught, Mexican art, bottle cap,
|
La Siren, 2000 bottle caps, vitreous glass, carved wood, enamel paint, copper, glass eyes 46" H x 46" W x 2" D Private Collection |
||||||||||
|
With her Italian glass top and bottle cap tail, LaSiren reflects not just light but a sense of humor and playfulness. The image is based on the La Siren card from the Mexican Loteria game. This was my first mosaic with bottle caps— I was inspired by Haitian ritual flags, in which detailed images are realized entirely through the use of sequins. Each cap is sorted by brand or color, washed, dried, punched, partially crimped and finally nailed in overlapping scales to create a feeling of depth, light and shadow. Decorative nail heads emulate the texture of seed beads often used to reinforce the sequins. My bottle cap mosaics revisit the playful, funky spirit of my early found object collages. Combining the caps with Italian glass mosaic carries elements of folk art and recycling into a modern fine art context. click thumbnail to view larger image.
|
||||||||||
![]() |
||||||||||
Tags: art, mosaic, folkart, sculpture, bottlecap, loteria, mermaid, self taught, Mexican art, bottle cap,
|
Atlas Bottle Cap Sculpture, 2003 Vitreous glass tile, bottle caps, copper, Hardibacker substrate over plywood. 60" H x 36" W x 1.5" D Collection: Cleveland Clinic Foundation |
|||
|
What I love most about this piece is the variety of interpretations I've heard— from holding up the weight of the worlds garbage, to being crushed by alcoholism, to a desire to drink in the entire world. They all work. I love this image and recently did a life-size steel collage working from the same source. Check it out (and learn more about the Loteria game the image is based on) here. |
|||
Tags: art, mosaic, folkart, sculpture, bottlecap, loteria, atlas, outdoor, self taught, Mexican art, bottle cap
Tags: art, folkart, comics, metal, fairytale, narrative, sculpture
|
3 Billy Goats Gruff Narrative Sculpture, 2006 Recycled steel 11.5" H x 18" W x 6.25" D Collaboration with Mya Smith Custom Order Item |
|||
|
Three Billy Goats Gruff was the first drawing my daughter Mya did for our collaborative series of narrative sculptures. Although I was totally blown away by the 3 Little Pigs sculpture, the Billygoats piece is probably my favorite. It's the one I kept for myself. I'm impressed with the way she used negative space in the drawing, and by the way the bridge is used as a framing element for the story… In all the narrative works we did together, she was able to find ways to make the scenery frame the story panels without resorting to artificially dividing the scenes. Her drawing of Little Red Riding Hood was probably the best example of this. |
|||
Tags: art, folkart, comics, metal, fairytale, narrative, sculpture
|
Sad Bunny, 2006 Recycled steel, 17.5" H x 18" W x 6" D Collaboration with Mya Smith |
|||
Purchase Sad Bunny for $180 ($150 plus $30 S+H). |
|
||
|
Sad Bunny is a collaboration I did with my daughter Mya, one of many sculptures we did this summer using her drawings and my welding and cutting chops. If you click on the lefthand thumbnail below you'll see what I think is the coolest feature of this piece: the bunny's shadow has a totally different expression on his face… an angry, evil expression. Of course, you have to get the angle of the light just right to reproduce it, but I think it's kind of a cool hidden allegory. Most of the mean people I've met in life were hurt themselves at some point (I mean, true enough to be trite, right?). But having the sad bunny's shadow take on an evil persona is awesome. I should really build a lightbox around it that forces the shadow to the correct angle, but I like the piece as it stands. The steel is recycled plate from the scrapyard, and the plants are bits left over from cutting out the flames on the Pot-deFeu recycled grills. |
|||
![]() |
![]() |
||
|
click thumbnail to view larger image.
|
|||
Tags: art, folkart, comics, metal, fairytale, narrative, sculpture
|
3 Little Pigs Story in Steel, 2006 Recycled steel, 14" H x 26" W x 6" D Collaboration with Mya Smith Buy it at Checkered House Gallery |
||||||
|
My daughter Mya is interested in making comics and she's pretty amazing at it…draws and writes very well. So when she came out this summer, I thought it would be cool to collaborate on some narrative steel sculptures together. She picked the stories, and decided how to lay out the image so that it would carry a narrative without words. I did the cutting and welding and offered a wee bit of editorial assistance in the few places where I thought the image or flow of the story could be stronger. Even though we worked pretty closely together on these, I think Mya could have done them alone if she wasn't a little bit afraid of the sparks in the shop. The house is made from an old refrigerator drawer and the rest is recycled steel plate. The wind from the wolf's mouth is copper plated welding rod. The plants are scrap left over from cutting out the flames on the Pot-deFeu recycled grills. This piece sold to Checkered House Gallery the minute Tess saw it. But that's okay… you can buy it from the gallery if you hurry. I don't expect it will last too long. |
||||||
![]() |
![]() |
|||||
|
click thumbnail to view larger image.
|
||||||
Tags: art, folkart, comics, metal, fairytale, narrative, sculpture
Tags: art, folkart, comics, metal, fairytale, fantasy, sculpture
| Secure shopping options: Visa, MasterCard, Discover, AmEx or PayPal. |
|
| My firebowls are now also available on Amazon.com. | |
Statement + Bio | Curriculum Vitae | Bibliography
I'm best known as an artist and designer. Relaxing makes me tense, so I tend to put in a lot of hours on diverse projects.
On the way to a successful art career I've been a poet and writer, a tech geek, a print and web designer, illustrator, industrial designer, musician, teacher, actor, set designer and even a paid guru once.
It's all the same thing in the end— I wake up most days thinking about how I want to change, fix or improve some aspect of the world. And after a couple cups of coffee I get started on it.
My specialty is impossibility remediation: if it can't be done, I'm on it.
To make it easier to find what you're looking for, this site is divided into 4 sections.
Click tabs above to restrict search to a section, or search all four below.
How will it look in your home? Visit the flickr page of customer photos or submit your own photos here.