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Mosaic Sign Commissioned By Alden State Bank

Alden Bank mosaic Sign commission

Alden State Bank Sign, 2005
Vitreous glass mosaic over Durock in powder coated steel frame

48" H x 96" W x 6" D
Commission

This project was commissioned by Alden State Bank for their corporate headquarters in Alden, MI. The sign took several months to complete, even with the help of my daughter Mya. All the tile was cut by hand.

From across the street, the trout looks almost photoreal, which was really the look I was going for. The tile is iridescent glass from the Sicis line, so when the light hits it, it makes the trout look even more realistic. The last thumbnail image below shows a detail of how the iridized tiles look when catching the light.

Click here to view more glass mosaic in the portfolio.

Alden Bank mosaic Sign mosaic sign commission Trout detail mosaic sign commission
  Alden Bank Sign reverse side mosaic detail
click thumbnails to view larger image. enlarge

 

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Crazy Whale Glass Mosaic Panel

Crazy Whale Glass Mosaic
Crazy Whale Glass Mosaic, 2006
Vitreous glass tile, steel frame.
25" H x 20" W x .75" D
Collaboration: John T. Unger + Mya Smith
Purchase Crazy Whale Glass Mosaic for $880
($800 plus $80 S+H).

Mya and I collaborated on a few mosaic panels this summer that can either be hung on the wall or converted to table tops. She was really into fish by this point in time, so that's what we did. This one reminds Maggie of "rollicking 60's beach towels." Could be just the thing to turn your back yard into a beach party. Yay!

Mosaic is set with mortar on a Hardibacker substrate  in a steel frame. Indoors or out, this mosaic will last lifetimes.

 

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Lineolatus Tropical Fish Mosaic

Lineolatus Tropical Fish Mosaic
Lineolatus Tropical Fish Mosaic, 2006
Vitreous glass tile, steel frame.
17.25" H x 17.25" W x .75" D
Collaboration: John T. Unger + Mya Smith
Purchase Lineolatus Tropical Fish  Mosaic for $560
($500 plus $60 S+H).

Mya and I collaborated on a few mosaic panels this summer that can either be hung on the wall or converted to table tops. This one is particularly striking. A great accent for kitchen or bath, patio or yard.

Mosaic is set with mortar on a Hardibacker substrate in a steel frame. Indoors or out, this mosaic will last lifetimes.

 

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Lunula Tropical Fish Mosaic

lunula Tropical Fish mosaic
Lunula Tropical Fish Mosaic, 2006
Vitreous glass tile, steel frame.
17.25" H x 17.25" W x .75" D
Collaboration: John T. Unger + Mya Smith
Purchase Lunula Tropical Fish Mosaic for $560
($500 plus $60 S+H).

Mya and I collaborated on a few mosaic panels this summer that can either be hung on the wall or converted to table tops. She was really into fish by this point in time, so that's what we did.

Mosaic is set with mortar on a Hardibacker substrate  in a steel frame. Indoors or out, this mosaic will last lifetimes.

 

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Brook Trout Glass Mosaic No. 2, 2006

Brook Trout Glass Mosaic No. 2
Brook Trout Mosaic No. 2, 2006
Sicis Iridium glass tile, glass taxidermy eye, copper, Hardibacker substrate.
11" H x 19" W x 1.5" D
Collaboration: John T. Unger + Mya Smith 
Purchase Brook Trout Mosaic No. 2 for $550
($500 plus $50 S+H).

My daughter Mya did so well last summer  helping me with mosaic that this year I had her create a whole line of fish. She got to do the fun parts—laying the tile and working out the gradients and shading— I did the mortar, grout, copper banding and provided some small amount of editorial assistance. The work sells at the normal studio rate because it's totally worth it. Her skills are far beyond what you'd expect from a teenager, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

The mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Brook Trout Glass Mosaic No. 2

 

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Rainbow Trout Mosaic, 2006

Rainbow Trout Mosaic, 2006
Rainbow Trout Mosaic, 2006
Sicis Iridium glass tile, glass taxidermy eye, copper, Hardibacker substrate.
9" H x 21.25" W x 1.5" D
Collaboration: John T. Unger + Mya Smith
Purchase Rainbow Trout Mosaic for $550
($500 plus $50 S+H).

My daughter Mya did so well last summer  helping me with mosaic that this year I had her create a whole line of fish. She got to do the fun parts—laying the tile and working out the gradients and shading— I did the mortar, grout, copper banding and provided some small amount of editorial assistance. The work sells at the normal studio rate because it's totally worth it. Her skills are far beyond what you'd expect from a teenager, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

The mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Rainbow Trout Mosaic, 2006

 

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Bluegill Glass Mosaic No. 2, 2006

Bluegill Glass Mosaic No. 2, 2006
Bluegill Mosaic No. 2, 2006
Sicis Iridium glass tile, glass taxidermy eye, copper.
11" H x 17.5" W x 1.5" D
Purchase Bluegill Mosaic No. 2 for $550
($500 plus $50 S+H).

My daughter Mya did so well last summer  helping me with mosaic that this year I had her create a whole line of fish. She got to do the fun parts—laying the tile and working out the gradients and shading— I did the mortar, grout, copper banding and provided some small amount of editorial assistance. The work sells at the normal studio rate because it's totally worth it. Her skills are far beyond what you'd expect from a teenager, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

Mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Bluegill Glass Mosaic No. 2, 2006

 

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Lake Trout Glass Mosaic, 2006

Lake Trout Glass Mosaic, 2006
Lake Trout Mosaic, 2006
Sicis Iridium glass tile, glass taxidermy eye, copper, Hardibacker substrate.
11" H x 18.5" W x 1.5" D
Collaboration: John T. Unger + Mya Smith
Private Collection 

My daughter Mya did so well last summer  helping me with mosaic that this year I had her create a whole line of fish. She got to do the fun parts—laying the tile and working out the gradients and shading— I did the mortar, grout, copper banding and provided some small amount of editorial assistance. The work sells at the normal studio rate because it's totally worth it. Her skills are far beyond what you'd expect from a teenager, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

The mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Lake Trout Glass Mosaic, 2006

 

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Brook Trout Mosaic No. 1, 2006

Brook Trout Glass Mosaic No. 1
Brook Trout Mosaic No. 1, 2006
Sicis Iridium glass tile, glass taxidermy eye, copper, Hardibacker substrate.
11" H x 19" W x 1.5" D
Collaboration: John T. Unger + Mya Smith
Private Collection 

My daughter Mya did so well last summer  helping me with mosaic that this year I had her create a whole line of fish. She got to do the fun parts—laying the tile and working out the gradients and shading— I did the mortar, grout, copper banding and provided some small amount of editorial assistance. The work sells at the normal studio rate because it's totally worth it. Her skills are far beyond what you'd expect from a teenager, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

The mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Brook Trout Glass Mosaic

 

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Brown Trout Glass Mosaic, 2005

Brown Trout Glass Mosaic
Brown Trout Glass Mosaic, 2005
Sicis Iridium glass tile, glass taxidermy eye, stone beads, copper, Hardibacker substrate.
21" H x 27.5" W x 1.25" D
Collaboration: John T. Unger + Mya Smith
Purchase Brown Trout Glass Mosaic for $960
($900 plus $60 S+H).

This is my daughter Mya's first solo project in mosaic. She did an absolutely amazing job on the gradients and shading— way beyond what you'd expect from a 15 year-old, or even most professional artists.

Most of the tile used on this mosaic is from the Iridium line of glass from Sicis. As the light or viewing angle changes, the iridescent surface of the tile closely resembles the  scales of a live fish. The   photo above shows the iridescent sheen. The second pic shows the copper banding that finishes and protects the mosaic.

Mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

Gamefish Mosaics 004

 

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Bluegill Glass Mosaic, 2005

bluegill Gamefish glass Mosaic
Bluegill Mosaic, 2005
Sicis Iridium glass tile, glass taxidermy eye, copper.
11" H x 17.5" W x 1.5" D
Private collection

I love doing fish in mosaic because they're so well suited to the medium… the tiny tesserae (cut glass bits) give the impression of scales. The iridescent glass creates a highly realistic shimmer on the surface of these fish. When light moves across them, they look almost real.

Mosaic is set with mortar on a Hardibacker substrate over plywood and finished around the edges with copper banding. Indoors or out, this mosaic will last lifetimes.

bluegill Gamefish glass Mosaic

 

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Rainbow Trout Glass Mosaic, 2002

Rainbow Trout Glass Mosaic
Rainbow Trout, 2002
glass tile, glass eye, copper, Wonderboard substrate on plywood.
27.5" H x 16.5" W x 1.5" D
Commission

Commissioned by Jeff Ott for his office at Warner, Norcross & Judd. The iridescent glass tiles create a highly realistic shimmer on the surface of the fish. Private collection.

 

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Shiny Happy Puppy: A Modern Take On An Ancient Mosaic

cave canem roman glass mosaic
Lupus  Ludi, 2005
Vitreous glass tile, Hardibacker substrate, steel frame.
32.5" H x 35.75" W x .75" D
Private collection

When I first saw an image of this "beware of dog" mosaic from Ancient Rome, I immediately fell in love with it. What appeals to me most is the disconnect between the warning aspect of the mosaic and the playful, happy appearance of the dog. So, last week, while Mya was working on her brown trout mosaic, I decided to recreate a version of the Cave Canem mosaic. I would have liked to use marble, but I think glass actually works better in this case, making the piece bolder and brighter.

The Roman mosaic I based it on is here. Although I worked directly from a printout of the image, there are a few things I changed. The most important change was to improve the andamento, the way rows of tesserae flow to emphasize the overall form. In the original mosaic, there were a couple areas where the tile was just filled in with no regard to the actual musculature of a dog. If you compare the flow of tile where the dog's right shoulder and rear leg meet the body, I think you'll agree that they look a little better than the original mosaic.

I had originally intended to inscribe the piece with the Latin for beware of dog, cave canem. But as I was working on the piece, I became more and more uncomfortable with that idea… for one thing, the dog isn't scary looking, which is what I like about him. He's playful. More importantly, I kind of feel like the world is far too full of warnings and dire threats these days and I just don't want to contribute to the culture of fear even on a minor level.

This is where it came in really handy to have a visiting Latin scholar. Mya is a classics geek of the first order, which is funny, really, since I on the other hand pretty much consider the dawn of time to be circa 1900. Anyway, she grabbed her Latin dictionary and we tried for a while to come up with something that would be more on the order of "good dog" or "happy puppy." Of course, going through a Latin dictionary, it becomes quickly apparent that almost all the words relate to politics, war and death. I'd forgotten what a totally militaristic world view they had, and have to admit to some surprise on finding that culture reflected so strongly in the vocabulary they had to work with. This is the kind of thing that makes being an artist so much fun really— you start out with a simple idea like recreating an ancient door mat, and by the time you're half-way through you're doing amateur cultural analysis based on how the words available to a culture influence what and how they can think. Heh.

So we were a bit confounded at first. We came up with a couple possible captions, but I was making it more difficult by insisting that the new phrase should be as sweet, short, alliterative and assonant as the original. The best we could do with the dictionary was candidus catellus, which, with a stretch of the imagination can be translated as "shiny, happy puppy." Candidus is the root of our word candidate of course, and is normally translated to mean "white" (go figure). However, it can also mean shiny or happy. I figured it would be too confusing though on the whole, and besides, the letters would not have fit as well, nor did it have the proper assonance. So we put it hold for a bit and went back to cutting tile. Then Mya said something about a piece we'd heard on NPR where they were interviewing people about their relationship to the US government. One guy had said something to the effect that he really didn't care one way or the other about the war, the economy or stem cells, but he really wished that they would let him shoot the endangered wolves that were eating his cattle. And suddenly, bang, I had it. Lupus Ludi: playful wolf. Really, what I mean is "happy dog" or "playful dog," but I figure it's close enough. And it has all the linguistic aspects I wanted: short, sweet, easy to guess, alliteration and assonance.

I guess this is what happens when you lock a former poet and a classics geek in a room with a bunch of tile.

 

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La Siren II: A Mosaic Mermaid Sculpture in Bottle Caps and Glass

La Siren bottlecap mermaid mosaic
La Siren, 2000
Vitreous glass, bottle caps, stone, copper, glass eyes, Hardibacker substrate

60" H x 36" W x 1.5" D
Private Collection

Christy MacLear commissioned this piece for her gallery, Fleur Fine Art, because people kept asking her to sell the mermaid from her private collection and she couldn't bring herself to part with it. She gave me "total artistic freedom" to create any bottle cap mermaid I wanted to and I took that ball and ran with it. You gotta love the bottle cap dreads!

Unfortunately, these are  the best photos I have at present. I chose the detail image as the primary photo because the full photo is at a weird angle.

I was inspired to do bottle cap mosaics by Haitian ritual flags, in which detailed images are realized entirely through the use of sequins. Each cap is sorted by brand or color, washed, dried, punched, partially crimped and finally nailed in overlapping scales to create a feeling of depth, light and shadow. Decorative nail heads emulate the texture of seed beads often used to reinforce the sequins.

My bottle cap mosaics revisit the playful, funky spirit of my early found object collages. Combining the caps with Italian glass mosaic carries elements of folk art and recycling into a modern fine art context.

I also did a cut metal collage this year working from the same mermaid image used for this piece. Take a look at it here.

click thumbnail to view larger image. enlarge

La Siren mermaid sculpture

 

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Mermaid Mosaic Sculpture in Bottle Caps and Italian Glass

Mermaid sculpture in bottle caps and glass
La Siren, 2000
bottle caps, vitreous glass, carved wood, enamel paint, copper, glass eyes

46" H x 46" W x 2" D
Private Collection

With her Italian glass top and bottle cap tail, LaSiren reflects not just light but a sense of humor and playfulness. The image is based on the La Siren card from the Mexican Loteria game.

This was my first mosaic with bottle caps— I was inspired by Haitian ritual flags, in which detailed images are realized entirely through the use of sequins. Each cap is sorted by brand or color, washed, dried, punched, partially crimped and finally nailed in overlapping scales to create a feeling of depth, light and shadow. Decorative nail heads emulate the texture of seed beads often used to reinforce the sequins.

My bottle cap mosaics revisit the playful, funky spirit of my early found object collages. Combining the caps with Italian glass mosaic carries elements of folk art and recycling into a modern fine art context.

click thumbnail to view larger image. enlarge

Mermaid mosaic in bottlecaps and glass

 

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Atlas Mosaic in Glass and Bottle Caps

Atlas Bottlecap mosaic
Atlas Bottle Cap Sculpture, 2003
Vitreous glass tile, bottle caps, copper, Hardibacker substrate over plywood.
60" H x 36" W x 1.5" D
Collection: Cleveland Clinic Foundation

What I love most about this piece is the variety of interpretations I've heard— from holding up the weight of the worlds garbage, to being crushed by alcoholism, to a desire to drink in the entire world. They all work.

I love this image and recently did a life-size steel collage working from the same source. Check it out (and learn more about the Loteria game the image is based on) here.

 

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Green River Station Glass Mosaic Panel

Station Glass Mosaic Panel
Green River Station, 2004
vitreous glass tile, steel frame.
36" H x 36" W x 1.5" D
Commission

My neighbor across the street lives in what was once the old train station, sometime around the turn of the century. He commissioned this piece for the exterior of his home. This was actually the most difficult mosaic I've done to date. I worked from an old B+W photo that I converted to color in my head as I worked. Getting the shading right on the train engine with only black, white and two shades of grey was really tough… the engine of course, is painted solid black and the only way to show detail was by getting the highlights right. The other tricky part was really capturing the features of the men's faces at such a small size. The faces are about the size of my thumbnail. I feel I was able to really give them personality and a pretty good likeness to the guys in the photo even though most of the faces are done with under a dozen pieces of glass. That was a major challenge!

The smaller a mosaic is, the more difficult it is to get detail. If this had been twice as large, I would probably have been able to do the entire mosaic in less time than it took to do it at this size!

 

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